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Adding drummer Mickey Jones, the First Edition signed with Reprise and recorded the pop-psychedelic single "Just Dropped In (To See What Condition My Condition Was In)." The single became a hit early in 1968, climbing to number five. He stayed with the folk group for a year, leaving with several other bandmembers - Mike Settle, Terry Williams, and Thelma Lou Camacho - in 1967 to form the First Edition. Once Mercury dropped the singer, he joined the New Christy Minstrels in 1966. He didn't stay long with Stone and soon landed a solo record contract with Mercury.Rogers released a handful of singles on Mercury, all of which failed. While he was with the group, Rogers continued to explore other musical venues and played bass on Mickey Gilley's 1960 single "Is It Wrong." The Bobby Doyle Three released one album, In a Most Unusual Way, before Rogers left the group to play with the Kirby Stone Four. In 1959, he briefly attended the University of Texas, but he soon dropped out to play bass in the jazz combo the Bobby Doyle Three. The B-side of the first single, "That Crazy Feeling," was popular enough to earn him a slot on American Bandstand. Following his graduation, he released two singles, "We'll Always Fall in Love Again" and "For You Alone," on the local independent label Carlton.
When he was a senior, he played in a rockabilly band called the Scholars, who released three singles, including "Kangewah," which was written by Louella Parsons.
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Nevertheless, he progressed through high school, all the while learning how to play guitar and fiddle. Born in Houston, TX, Rogers and his seven siblings were raised in one of the poorest sections of town.
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Even during the '90s, when he rarely charted, his name, face, and music were recognizable in a series of concerts, television specials, films, and even fast-food restaurants.Like many country superstars, Rogers came from humble roots. Throughout the '80s, Rogers remained a celebrity, even when his sales were declining.
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In 1980, the made-for-TV movie The Gambler blasted the competition, followed quickly by Coward of the County, then enough sequels to The Gambler to get him to Roman numeral IV. And that's just the musical side of Rogers.
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The rest (as they say) is history: award-winning duets with Dottie West and Dolly Parton, 12 TV specials, another song of the year with "The Gambler," "Daytime Friends," "Coward of the County," "We've Got Tonight," "Crazy," "Lady" (his first pop number one), etc., etc., etc. Having gone solo, in 1976 Rogers charted with "Love Lifted Me." But it was with an outstanding song by writers Roger Bowling and Hal Bynum, "Lucille," that his star shot upward. His experience with the two previous pop groups had prepared him well: he knew the easy listening audience was out there, and he supplied them with well done middle-of-the-road songs with a country flavor.
But superstardom lay ahead for this Texan, and it arrived in the late '70s. As a member of the First Edition (and the New Christy Minstrels before that), he shared in some million-sellers, among them "Reuben James" and "Ruby, Don't Take Your Love to Town," an excellent Mel Tillis song about a disabled veteran. It took several tries before Kenny Rogers became a star.